The Feast of Love

The Feast of Love The Feast of Love is a sumptuous work of fiction about the thing that most distracts and delights us In a re imagined A Midsummer Night s Dream men and women speak of and desire their ideal mates par

  • Title: The Feast of Love
  • Author: Charles Baxter
  • ISBN: 9780375709104
  • Page: 150
  • Format: Paperback
  • The Feast of Love is a sumptuous work of fiction about the thing that most distracts and delights us In a re imagined A Midsummer Night s Dream, men and women speak of and desire their ideal mates parents seek out their lost children adult children try to come to terms with their own parents and, in some cases, find new ones.In vignettes both comic and sexy, the owner oThe Feast of Love is a sumptuous work of fiction about the thing that most distracts and delights us In a re imagined A Midsummer Night s Dream, men and women speak of and desire their ideal mates parents seek out their lost children adult children try to come to terms with their own parents and, in some cases, find new ones.In vignettes both comic and sexy, the owner of a coffee shop recalls the day his first wife seemed to achieve a moment of simple perfection, while she remembers the women s softball game during which she was stricken by the beauty of the shortstop A young couple spends hours at the coffee shop fueling the idea of their fierce love A professor of philosophy, stopping by for a cup of coffee, makes a valiant attempt to explain what he knows to be the inexplicable workings of the human heart Their voices resonate with each other disparate people joined by the meanderings of love and come together in a tapestry that depicts the most irresistible arena of life.

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      Posted by:Charles Baxter
      Published :2019-01-25T10:16:33+00:00

    1 thought on “The Feast of Love”

    1. A celebration of Eros, a god to be reckoned with--dangerous, transformative, irrational--as told in at least five different voices by characters who have experienced his power. Baxter is a fine stylist, and the different voices are precisely delineated.

    2. Uh, no. Boring. Charles Baxter has an anoying writing style that got on my nerves, Charles does. The dialog was written horribly, not at all like actual people conversing. And I am not just talking about the two youth characters. All of the characters. They were unnecassarily repetitive. The two youth were the worst though. I know that he was trying emulate the way immature 20-year-olds would actually talk, but . . . gag! I could barely plow through one particular passage were the two idiots wer [...]

    3. A seemingly disoriented post-midnight walk through several lives and loves. People clumsily come together, and come apart, shifting narrators and tones--all thick with the theme of love (and loss) in its' many, many forms. I loved this books and had a hard time putting it down, literally. (Which rarely happens to me.) At times, however, I was worried it was too cute a novel, given the occasional all-too-precious line, but before my skepticism could fully take hold, Baxter quickly won me back wit [...]

    4. If an older, male author is seized by the urge to speak through the mouth of a pierced, teenage nymphette, he'd better do it convincingly. The parts of this book narrated by the earnestly vapid Chloe read a little like how old men impersonating young girls in chat rooms must come off. She intersperses slang with a few ten-cent words like "mellifluous" (and then reassures us she looked the word up somewhere so we won't suspect she's really an aging academic) and, at one point refers to her "girl- [...]

    5. There are few books that have possessed me -- taken ahold of me, owned me, inhabited me -- like Feast of Love has. I have been dreaming about the characters. I have been dreaming about reading the book, which is also like living inside the book. I will be thinking about Nude Descending a Staircase, as a painting and as a metaphor, and the next chapter I pick up will mention the painting. I will read a chapter that uses votive candles as a reality and as a metaphor and I will close the book and o [...]

    6. Someone, or something I read, caused me to pick up this book several years ago at a used-books sale, because its synopsis is not one that would normally have tempted me into buying it, but whatever that something was, I have no recollection of it any longer. And it can't be the "A Midsummer Night's Dream" references as that isn't even one of my favorite Shakespeare plays.I can tell Baxter is a smart man (his character of Harry proves that) and also a very good writer from the writing in the "pre [...]

    7. Abandoning on pg 100 -- read like labored creative writing. Unbelievable. Mannered syntax. Dull. Vaguely interesting structurally. The occasional nice observation. But then there'd be a line like "We were swoon machines." Ugh. Incites hatred in me. The Jewish professor's inverted syntax? Double ugh. Goes firmly in the "too many books, not enough time to bother with this sort of BS" category. I'll need to read some Bernhard now to recover from this.

    8. A dear friend told me about this book several years ago. I bought it, like I always do, and there it sat on my shelf for years - waiting to be read. When asked for a book club suggestion, I gazed at my shelf and it screamed at me "pick me! pick me!" So, it won the suggestion and became the early January pick for book club. It was beautiful. Well written, heartfelt, and just an overall good read. It was a terrific portrayal of how, despite our good intentions, some things just don't work out the [...]

    9. I almost "really liked" this book, but something kept me from getting up and over that slope. It's a really large-hearted novel - and very, very well-written - but its scope was a little small for my tastes. In terms of the characters (which, in the end, is all this novel is), I loved reading the Ginsburgs and their careworn intelligence and parental heartbreak, and I enjoyed Diana's immediately recognizable, warfaring vanity; but I couldn't stand reading Chloe and Oscar and their impoverished, [...]

    10. Oh, did I love this book. Clever, but not for the sake of being clever; self-aware, but not self-absorbed. And so beautiful. Charles Baxter himself is the narrator, visible only periodically, and his neighbor Bradley is telling his own story intertwined with those of people he knows. I turned down about 15 different pages that had passages I liked here are two:The upshot of it was, I kept Bradley. I fed him and petted him and I built him a doghouse and called his name when I came home, and in re [...]

    11. I've read this book about ten times and bought it at least four times because I keep giving my copies away to friends. Over time, I've come to see that it's not a perfect book - certain turns of phrase clunk, certain character traits don't ring true. But it's perfect to me, and no matter how many times I've read it, there are still passages that blow me away, move me to tears, and strike me as profoundly true and correct.There are also lines that I've never noticed before that get my attention o [...]

    12. I LOVE LOVE LOVE this book. It has become an all time favorite (for teh moment :). I can't quite articulate what about it I love so much. It's a good story told in an interesting way. The dialogue is perfect. I just find it so inspiring as a writer. He breaks the rules and he tells a good story.

    13. Baxter's novel unfolds like an origami swan. The entire concept is beautiful and intricate. Upon first inspection it wows. How complex! Amazing! What an original narrative, layering individual perspectives within, among, alongside one overarching meta-narrative. The whole novel is deeply hyper-conscious of its own creation from page one. The characters, residents of the same Michinan town are all comfortably familiar, sketched as someone recognizable. Baxter illuminates Ann Arbor's sedate Midwes [...]

    14. There's such a thing as comfort-eating. Food you turn to when feeling sad or lonely. Food that is familiar, yet delicious and can help get your spirits up each time you turn to it. Well, I believe there is also such a thing as comfort reading. It is one of the best novels that I read last year. After reading it for the first time, I've found myself returning to it again and again, turning to favorite pieces, or simply reading it from cover to cover, on long, rainy, lonely weekends. It's the kind [...]

    15. Una grande storia che si dipana attraversando tante altre storie, più piccole. La stessa storia che non è mai veramente la stessa, contaminata nella narrazione da differenti punti di vista, voci e modi di sentire. Mondi che collidono, impegnati tutti nella ricerca di qualcosa.Un quadro a cui prestare attenzione, apprezzandone sì la visione generale a creare un senso condiviso, ma nel quale soffermarsi soprattutto sui particolari fatti di gesti, reazioni e riflessioni personali. Davvero bravo [...]

    16. This is a book I often recommend when asked to recommend a book by someone whose taste I don't know well. It's not that it's "safe" (although everyone seems to like it) but that it's one of those transcendent middebrow books like Salinger's--Shawshank Redemption, which everyone also likes, does the same thing in the movie genre--that confirms everything you already thought or wanted to believe, and makes it seem richer than you'd ever thought. For which I'm grateful.

    17. Goodness this was hard to get through. I couldn't finish it. It was written Phil Donahue confessional style. Everyone seems to have the same voice, even if they're an old Jewish man grieving the loss of his drug addict son, a young tattoed alternative in-love couple, or a middle-aged man surviving the tatters of a second failed marriage. Maybe the movie is better?

    18. I was not expecting to like this book when I picked it up. A used bookstore had clearance books on sale 7 for 5 dollars and I needed a seventh book, so I just threw this one on top of my stack. I'd heard of Baxter, but wasn't too familiar with his writing. I was kind of put off at the beginning by the meta-narrative style of the novel, but once I got into the stories of these characters, I was engrossed in their lives. Each chapter in this book is a vignette that sketches each character's love l [...]

    19. Este libro tiene rato que lo terminé y ahí tantos tonos que me evoca, no sé por dónde empezar, mucho menos qué veredicto darle.El inicio es enorme y cálido, las intenciones de Baxter son impresionantes y no estoy seguro que lo logre a grado técnico, pero en todo lo demás lo logra con honores hay pasajes muy bellos, otros bastante intensos La pasión de los amantes, el absurdo de las coincidencias, y que sin embargo marcan el rumbo de nuestros sentidos, la idea de pasar el resto de tus d [...]

    20. This is the 2nd book I have read by this author and I am not sure what made me opt for this, but I did and I can say that I was not disappointed, but I do feel that Baxter was trying to be.o hip? too pithy with his prose? too quirky with his character portrayal? too cool for words? Being perfectly frank, it wasI get it Charles. I do. And perhaps his assessment of life as portrayed by the characters is indeed how we live now. It is not how I live, but then I don't live nor work in Ann Arbor, MI. [...]

    21. If Mr. Baxter was writing in earlier times this book would have been written in the manner of The Decameron or The Canterbury Tales where a framing excuse is used to write disparate tales that often don't have much to do with each other. Baxter isn't quite that off of that though - the framing device is an author (Charles Kaufman Baxter) waking up in the middle of the night, going for a walk and meeting another insomniac, Bradley Smith, who acts as Baxter's intercessor for the many tales of love [...]

    22. I had such high hopes for this. Baxter is well awarded and I assumed this would be great. It's terribly disappointing and somewhat insulting. This is a boomer male who tries to write in the voice of a mix of characters but they all sort of sound the same. Of particular annoyance is the character Chloe, a teen punk whose monologue is a mix of weird slang (that Baxter seems to think teens use) and MFA-type $5 words. Read the 1-star reviews by members Emily and Corina, I agree with them entirely. I [...]

    23. A series of vignettes centering about love and relationships, as suggested by the title. Love in all its forms: young, passionate, true love; feisty acts of manipulation and deception; familial love corrupted by drink, perversion and mental illness, turning the feelings into bitterness and hate; new-found, unexpected love after failed relationships; a new family and love created out of loss and loneliness. The characters are drawn in sketches, some likable (Bradley, Chloe, Oscar, the Ginsbergs), [...]

    24. An exploration of love and all its varieties. All of its confusion and pain and wisdom. In this book it takes on many forms. Beauty. Humor. Tragedy. Charlie, Bradley the human and Bradley the dog. Kathryn, Diana, Chloe and Oscar, Esther and Harry. All from different walks of life, but all with their own love story. I’m emotionally involved with all the characters. I don’t usually like love stories, but this one has its own unique twist. It touches the heart. A very good read.

    25. I read this because I was planning to watch the movie. The book was full of surprises. I knew that Charles Baxter taught at the University of Michigan, a school I once attended, but was delighted to find The Feast of Love set in Ann Arbor, MI, where I lived for many years. I often read just for the pleasure and experience of being taken to places I will probably never go to myself, but there is a unique pleasure to recognizing the details of weather, types of people, buildings and streets, while [...]

    26. Charles Baxter may have started out as a short story writer, but his latest efforts of note have been his novels. _The Feast of Love_ was a finalist for the National Book Award, and I can see why (though I have still to compare it to that year's winner). The idea is somewhat Kundera-esque--the novel begins with writer 'Charlie Baxter' waking in the middle of the night from a dream of asynchronous gears and finds that he is suffering from temporary amnesia. Once recovered, he decides to take a wa [...]

    27. Charles Baxter’s The Feast of Love is described as a sumptuous work of fiction about the thing that most distracts and delights us (Chicago Tribune). Compared to Midsummer Night’s Dream, this novel explores the lives of individuals when love becomes a complicated factor. Beginning the novel Charlie Baxter leaves his house for a midnight walk through his Ann Arbor neighborhood. Passing two love stricken individuals on the fifty-yard line of a football field Baxter eventually encounters a frie [...]

    28. Back when I first started on Facebook, author Jonathan Carroll posted this as a great book for a weekend read. 5 - 6 years later, I finally got to it. I love Carroll and I can absolutely see why he liked it. This is a story about various loves and relationships - Baxter is more of a short story writer, and you can kind of tell. These seemed like very connected short stories, but it totally worked as a novel. In the early chapters it is suggested that in every relationship there is a perfect day, [...]

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